Jazz Pedagogy

Teaching Jazz Band: Jazz Band Set-Up & Rehearsals

The traditional jazz ensemble set-up has the saxophones in the front. Behind the saxophones is the trombone section and behind the trombones is the trumpet section. The baritone saxophone and bass trombone should be on the opposite side of the string bass for balance. The rhythm section is on the band’s left. The rhythm section should be set-up so all students within the section have eye contact with each other. In each of the horn sections the lead or first player is in the middle, putting the lead trombone and trumpet directly behind the lead alto sax.

The solo parts (2nd trumpet and 1st tenor sax) are placed closest to the rhythm section (so they can hear the changes). The drum set is in the center of the rhythm section and is surrounded by the bass, piano, and guitar as if the bass were at the end of the trumpet section and the guitar at the end of the saxophone section. Having each section sitting close together will make it easier for students to hear each other and play together.

Jazz Band Rehearsals

jazz bands typically should rehears 2 days a week for 2 hours after school at minimum. The first rehearsal day should be for sectional rehearsals. The second rehearsal day should be for the full ensemble. On sectional rehearsal days the students are broken down into small group sections in order to shed their parts (focus on learning and correcting notes, rhythms, dynamics, and articulations). During the full ensemble rehearsal later that week the students will then bring the elements learned in their sectional rehearsal to the full ensemble.

Learning to Lead As Well As Follow

Before breaking down into sections, I would recommend beggining with a large group warm-up and review with the students the sections of music that they to need work on. Then divide the students into sections based on instrumentation (Saxophone, Upper Brass, Low Brass, Rhythm Section) and separate them into different classrooms or learning spaces.

Sectional rehearsals provide the older students with the opportunity to take on a leadership role. The goal of the sectional rehearsal is to have students work out the problem sections of their music. Sectional rehearsals also provide students with the experience of learning how to help each other improve (peer mentoring) the quality of the performance of their section. 

The role of the music teacher at sectional rehearsals is to rotate between each sectional group to help model and to provide direction concerning how to rehearse; how to manage the section and how to moderate conflicts within the section in a way that will help promote a sense of growth and well-being among the students in the ensmeble.  


Teaching Jazz Improvisation: The Two Bar Jazz Riff

Teaching Jazz Improvisation: The Two Bar Jazz Riff

Once the students have mastered the blues and minor pentatonic scales as discussed in the previous post Teaching Jazz Improvisation: What Notes Do I Play? Teach the students to perform as a group ten 2-measure blues riffs, which the entire ensemble learns to perform together as a part of a warm-up.

Teaching Jazz Improvisation: What Notes Do I Play?

Teaching Jazz Improvisation: What Notes Do I Play?

The middle school/junior high school years provide an excellent opportunity to begin to introduce kids to jazz performance and improvisation. Most middle school and junior high level jazz ensemble music arrangements involve only a few chord changes making it an excellent time forstudents to practice the art of improvisation. Here are a few jazz improvisational exercises that are not usually taught and sometimes forgotten.

Making Practicing Fun & Rewarding!

Making Practicing Fun & Rewarding!

Learning melodies and songs by ear helps improve in all fundamental areas of music. Including this skill as part of a practice routine makes practicing enjoyable, concrete and practical. The process associated with learning melodies by ear allows the musician to practice all the music skills that matter most, which are technique, sound, phrasing, timing, rhythmic accuracy and musicality.

The Beginner's Guide to Improvising!

The Beginner's Guide to Improvising!

There are two misconceptions about jazz that prevent many teachers from incorporating improvisation into their curriculum. One widely held belief is that students need to have all of your scales and chords memorized before they can try to improvise. A second misconception involves -thinking of improvisation with the end in mind, rather than as a skill developed over time. As a result of these long held beliefs, music educators are often reluctant to explore the art of improvisation with their students.

Zero to Improv: Improvisation for Beginners

Zero to Improv: Improvisation for Beginners

As a middle school music educator, I found that the middle school/junior high school years provide an excellent opportunity to introduce kids to jazz improvisation. Most middle school and junior high level jazz ensemble music arrangements involve only a few chord changes making it a favorable time for students to learn the art of improvisation. In today's post,  I'm sharing som